what does funk means

What Does Funk Means - Funk is rock music that originated in African American communities in the mid-1960s when musicians created a new type of rhythm and dance music through the fusion of rock music that was popular among African Americans in the mid-20th century. twenty It de-emphasizes melody and chords and focuses on a strong rhythmic flow of a bass line played by an electric bass player and a drum part played by a percussionist, often at a slower tempo than other popular music. Funk usually has a complex melodic flow and rhythmic instruments playing tight sticks that create a "hypnotic" and "dancing" feeling.

Funk uses the same colorful chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or altered major sevenths of ninths and thirteenths.

What Does Funk Means

Funk began in the mid-1960s, with James Brown developing a signature style that emphasized the low end—with a heavy emphasis on the first beat of each measure ("The One"), and the use of 16th notes and harmonies throughout. . Bass lines, drum patterns and guitar riffs

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Earth, Wind and Fire, Chic, B.T. Express, Loose ds, Shalamar, The S.O.S. Bands Slave, The Whispers, Cameo, and the Bar-Kays began to adopt and develop Brown's creativity in the 1970s and add R&B roots in the early 1970s, while others such as Parliamt-Funkadelic and the Ohio Players followed in Hdrix's footsteps. .

Derivatives of funk include avant-funk, an avant-garde form of funk; boogie, a hybrid of electronic music and funk; funk metal, a combination of funk and metal; G-funk, a combination of gangsta rap and funk; Timba, a funky Cuban dance music genre; and a funk jam. It is also a major influence of Washington go-go, funk sub-gre.

The word funk originally referred (and still does) to a strong smell. Originally derived from Latin "fumigare" (meaning "to smoke") via Old Frch "fungiere" and, in this sse, was first written in Glish in 1620. In 1784 "funky" meaning "mould" was written previously. , which, in turn, led to the sse of "earth" which was revived around 1900 in early jazz slang for something "deep or powerful".

Although in white culture, the word "funk" can have a negative meaning of smell or be in a negative state ("in funk"), in African societies, the word "funk", while it was still associated with body odor. he was sure that hard work, honest hard work of the musician led to sweating, and from his "physical exercises" came a "good" and "high quality" performance.

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In the first jam sessions, the musicians encouraged each other to "get down" by telling each other: "Now put the stink!". At least in 1907, jazz songs carried names like Funky. The first example is an unrecorded number by Buddy Bold, remembered as "Funky Butt" or "Buddy Bold's Blues" with improvised lyrics that, according to Donald M. Marquis, were either "comic and light" or "dirty and dirty". but, in one way or another, they refer to the sweaty atmosphere of the dance floor where the Bold band played.

Until the 1950s and early 1960s, when "funk" and "funky" were increasingly used in the context of jazz music, the terms were still considered poor and inappropriate for use in respectable company. According to one source, New Orleans drummer Earl Palmer "was the first to use the term 'funky' to explain to other musicians that their music should be more danceable."

The style then changed to a strong, emphatic rhythm, implying a more physical quality. This early music set the precedent for later musicians.

The meaning of "funk" continues to attract the gre of black music, emotions and knowledge. Rect scholarship in black studies has taken the term "funk" in its many iterations to consider a variety of black movements and cultures. Especially, L.H. Stallings's Funk the Erotic: Transaesthetics and Black Sexual Cultures explores these multiple meanings of "funk" as a way to illuminate sexuality, culture, and the West in the many sites of "funk": "street parties, drama/theatre ". , strip clubs, pornography and self-published fiction."

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The rhythm section of a funk band—electric bass, drums, electric guitar, and keyboards—is the core of the funk sound. Pictured here is Mita.

The sound of funk however depends on the "space between the notes" when the notes are played; therefore, rest between points is important.

Although there are rhythmic similarities between funk and disco, funk has "an intermediate dance rhythm that is slower, more catchy and more homogenous than disco", and funk rhythm section musicians add "subtextures", complexity and " personality" on the main beat. than a beat. synth-based disco.

Before funk, most pop music was based on the octave sequence, because the fast tempos made smaller beats impossible.

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Funk's innovation was that by using slower tempos (no doubt influenced by the blues revival in the early 60s), funk "created room for more rhythmic division, so a 4/4 bar could replace 16 notes".

In particular, the playing of guitars and drums in the "motor" rhythms of the sixth grade created opportunities for other instruments to play in a "more balanced, broken style," which enabled the movements of the "freed" bass. Together, the "closed parts" create a "hypnotic" and "playful" feeling.

Most funk is based on the rhythmic structure of the two-cell transition, which originated in the music cultures of Sub-Saharan Africa. New Orleans adopted a double-edged format with elements of Afro-Cuban conga in the late 1940s, making it its own.

New Orleans funk, as it was called, gained international acclaim in large part because James Brown's rhythm section used it to great effect.

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A simple funk kick with a trap motif. In the first stanza two beats are heard, which are answered by two beats. The snare plays a rhythm.

Third chord (E 13, which also has 7 and flat 9) Play  (help ·info)

Funk uses many of the same colorful chords found in jazz bebop, such as minor chords with added sevenths and elevenths, or major seventh chords with ninths. Some examples of chords used in funk are eleventh minor chords (eg F minor 11th); a dominant seventh with a strong ninth added by a suspect fourth (eg, C7 (#9) sus 4); major ninth chords (for example, F9); and minor sixth chords (eg C minor 6).

Six chords are used in funk (eg F 6/9); is the major added sixth and ninth.

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In funk, minor seventh chords are more common than minor triads because minor triads were considered very minor.

Some of funk's best-known and most skilled soloists have a jazz background. Trombonist Fred Wesley and saxophonist Pee Wee Ellis and Maceo Parker are among the most prominent musicians in funk music, having worked with James Brown, George Clinton and Prince.

Unlike bebop jazz, with its complex and rapid chord changes, funk has essentially abandoned chord changes, creating static chord vamps (often alternating a minor seventh chord with a related seventh chord, such as A minor to D7 ) and melodo-harmonica. movement is a complex sense of rhythm. Although some funk songs are basically vamps with a chord, percussionists can embellish this chord by moving it up a semitone or a tone to create passing chromatic chords. For example, "Play that happy music" (from Wild Cherry) uses the E nine chord, but also uses F#9 and F9.

The chords used in funk songs usually involve the Dorian or Mixolydian mode, as opposed to the major or minor keys of more popular music. The Cont Melodic was produced by combining these modes with the blues scale. In the 1970s, jazz music learned from funk to create a new type of jazz-funk music, which can be heard in the records of Miles Davis (Live-Evil, On the Corner) and Herbie Hancock (Head Hunters).

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Funk continues the improvisational tradition of African music, since in the funk band, the group "felt" the change, "played" and "beat", ev in the studio recording stage, which can only depend on the frame of each song.

Funk used "ensemble improvisation", where musicians in rehearsal would have what was a metaphorical "conversation", a method that extended to stage performances.

Funk creates a strong current using strong guitar riffs and low bass played on an electric bass. Like Motown records, funk songs use the bass as the main part of the songs. Indeed, funk has been called a style in which the bassline is more important in songs,

The first funk bass lines used syncopation (usually balanced eighth notes), but with the addition of a more "driving feel" than New Orleans funk, and they used blues scale notes and major thirds above the root.

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Later funk bass lines use sixth-note syncopation, bluesy scales, and repetitive patterns, often in jumps of octaves or more.

Funk basslines emphasize repetitive patterns, closed loops, continuous playing, and clapping and pounding. Clapping and strumming uses a combination of low notes struck with the thumb (also called "rhythms") and high notes "struck" (or tapped) with the finger, allowing the bass to play a rhythmic role like a drum.

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